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Part 1 of a five-part series:
Headline: Internet radio's next frontier: Real, significant spot schedules!
BY KURT HANSON
Imagine if you will
a radio market that's roughly the 15th largest in the U.S. i.e., about the size of San Diego — but significantly more appealing, as virtually 100% of the market's population consists of upscale, adult consumers (most of whom, additionally, have a tendency toward early adoption of new products).

Also imagine that, improbable as it sounds, virtually all of these consumers are listening to the radio on brand-new, next-generation radio receivers that can display full-color, animated visuals synchronized to the radio programming.

Now imagine that instead of the many hundreds of radio advertisers that are buying spot schedules right now in markets the size of San Diego, this attractive new radio market has virtually NO advertising campaigns running.

Improbable? Absurd? Perhaps... but that's the state of Internet radio today!


Millions of listeners — but no advertisers!
As I'll describe tomorrow in RAIN, the aggregate midday AQH audience for Internet radio is probably more than 500,000 people — and that's at any given moment, drawn from a cume that several times larger than that. That's a bigger midday audience than every San Diego station combined. It is, legitimately (on weekdays from 9AM ET to 5PM PT, anyway), the 15th-largest radio market in the U.S.

The downside of Internet radio's audience from an advertiser's perspective, of course, compared to broadcast radio's audience, is that broadcast radio sells the majority of its ad campaigns to local advertisers, and the Internet radio audience is dispersed across the US

On the other hand, of radio's $20 billion in advertising revenues, $4 billion of that is spent by network and national spot radio advertisers. For those advertisers, Internet radio's audience should be extremely desirable, as it's smoothly and homogeneously spread across the entire country.

And Internet radio's audience should be an obvious buy for any national advertiser that (A) wants to drive people to its website (e.g., Hotwire.com), or (B) wants to reach people at work (e.g., McDonald's to promote its new line of salads or an advertiser like Office Depot).

Yet... it's not. There have been a few successful "video gateway" campaigns (short TV spots that play at the start of a new stream), but there are hardly any radio spot schedules on the medium today.


Why advertise on Internet radio?
This seems like it would seem to be a fantastic opportunity here for broadcasters to sell an exciting new subset of their audience — office workers who are listening to their simulcast streams — and perhaps even to bring some new advertisers to the radio medium.

After all, the benefits of reaching this new audience should be clearly enticing:

  • Quality audience: The vast majority of Internet radio listening is comprised of consumers who are listening at work on a broadband-enabled computer, meaning that they are inherently a high-qualitative-profile group of listeners.

  • Low spot load = High attention level: Whereas on broadcast radio today a spot might end up buried as the 10th spot in a 12-spot break, on Internet radio, a spot might be the only spot in the break, meaning that it's far more likely to be heard and acted upon.

  • Accompanying visuals: Most Internet radio stations are capable of displaying an advertiser's logo while their spot is playing (typically in a 468-by-60-pixel banner ad)!

  • Website link: Since virtually all Internet radio listeners today are sitting in front of a computer with a browser window open, and since an advertiser has 30 seconds of persuasive audio to communicate with, Internet radio listeners are perhaps the easiest consumers in the world to entice to visit a website!

So what's the problem? I have my own opinions, which I'll describe in RAIN over the next couple of days, plus a proposed solution, which I'll get to before the week's over.

Meanwhile, I'd welcome your feedback on the subject: Why do you think we're seeing so few spot schedules on Internet radio today? Please feel free to drop me a line at kurt@kurthanson.com (or simply use the form below).

At any rate, here's my conclusion for today: THIS SITUATION IS RIDICULOUS!

So let's solve it. More on that topic tomorrow in RAIN.

TO BE CONTINUED...

 


Have an opinion? Drop us a note! (Or, to use your own e-mail software, click here.)

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    Kurt and Paul, this is deep background -- don't quote me!

        Thanks!

 
Headline: AOL brings back more popular older version of Winamp player
From CNet News.com: "America Online's celebrated Nullsoft division is taking a page out of Coca-Cola's playbook, reviving a 'classic' version of its flagship Winamp MP3 player amid widespread criticism of the latest rendition of the software.

"Nullsoft released Winamp3 last year, offering an ambitious reworking of its popular MP3 player based on a homegrown programming language called Wasabi. The upgrade aimed to convert the slim Winamp multimedia program into a full-fledged system capable of running Wasabi-based applications on its own.

"But the upgrade was dogged by complaints that it was slow and bloated, and it never took off with Winamp's core followers, many of whom reverted to older versions of the product...

"In the meantime, AOL has discontinued supporting plug-ins developed using Wasabi and will instead fold Winamp3 graphical interface designs, or 'skins,' into Winamp 2.x ...

"Digital media technology is increasingly seen as a strategic way to control content distribution over the Net, and America Online has begun to shift its reliance to Nullsoft technology as an alternative to third-party multimedia products provided by partner RealNetworks and long-time rival Microsoft."

Read this entire CNet News article online here.
 
RAIN is brought to you today by:

Link to Limelight Networks

Limelight Networks is a leading provider of outsourced media delivery solutions. With multiple Edge distribution locations around the Internet, Limelight Networks enables some of the Industry's top broadcasters like Radio Free Virgin and Musicmatch to reduce the cost and complexity of delivery while ensuring unmatched performance.

Limelight Networks technology has been proven to dramatically cut the costs associated with live or on-demand media delivery. For more information please contact us at www.limelightnetworks.com.


Headline: Nonprofit status, waivers allow webcaster to survive royalty fees
From the Everett, WA Daily Herald: "Jonathan Brummett [pictured] and Casey Jones air music that doesn't get played on the Puget Sound area's most popular radio stations. Instead of Britney Spears, Enimem and Limp Bizkit, their station's playlist includes Daft Punk, Entropic Advance and Autechre.

"Their 'station' consists of a Hewlett-Packard laptop computer, a mixing board and a microphone. They no longer even have a fixed studio and often broadcast live concerts from Seattle clubs...

"Brummett and Jones are the duo behind KMLP i-radio, a small, Internet-only station based in Snohomish County. They're also a prime example of how surviving as small Webcasters isn't as easy as it used to be...

"Like fellow Webcasting stations, KMLP has been forced to deal over the past year with the legalities of airing music over the Web...

"The agreement for noncommercial broadcasters sets a range of flat fees, ranging from $200 to $500 annually, according to the RIAA. That's still too much for Brummett and Jones, who are unemployed after being laid off from an audio equipment company.

"'It doesn't cost me $500 to run the station for a year,' Brummett said. So he and Jones found a way around the new rules. They mostly play songs by artists who waive their royalty rights in exchange for the exposure to thousands of listeners -- and potential buyers of their albums -- on KMLP. Brummett and Jones also legally registered their station as a nonprofit organization. The station Web site gives listeners a place to donate...

"'If we got a dime from every listener we have in a month, we could run the station for four years,' Brummett said."

Read this article from the Everett Daily Herald online here.
 

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