Thanks
to all the fine companies
(including those listed below) who agreed to be part
of our recent "RAINVendor Guide (Ver. 2.0)" issue. If
you didn't have a chance to spend time with it yet,
you can access the issue here.
From the San Jose Mercury News: "The first commercial
radio station to stream its programming over the Internet has suspended
its Web-based
simulcasts, saying it cannot afford to pay music royalty fees.
"Promising to 'see you in that pigsty in the sky,''KPIG
morning disc jockey Dallas Dobro ended seven years of continuous
Webcasts Thursday with a cowboy tribute befitting the station's
quirky character: 'Happy Trails,' by Roy Rogers and Dale Evans.
"KPIG will continue to stream a mix of live recordings
made at its Watsonville studio and at station-sponsored concerts
-- music that is not subject to royalty fees. Meanwhile, it will
attempt to negotiate a lower
royalty payment with the recording industry so it can resume its
Internet service...
"'The bill [for the RIAA/Sound Exchange royalty]comes
out to around $3,000 a month for KPIG, which isn't a whole lot,
but KPIG is basically a small-market radio station. And right now,
it's not making any money from that stream,' said Bill Goldsmith,
who operates KPIG's online station. 'That's $3,000 a month that
they just can't afford...'
"KPIG's sign-off jarred the station's far-flung online
listeners, who wrote from Indiana, Florida and Minnesota to mourn
the loss of its genre-busting music
format that spans classic rock to blues to bluegrass
to alternative.
"'The varied musical selections and programming exposed
me to artists who never get commercial
airplay,'' said Akio Patrick, a listener from Woodside.
'The record industry appears to have won this battle out of its
ignorance and fear of the potential
of independent Web radio.''
Read the full piece by Dawn Chmielewski in the San Juse Mercury
News here.
(Archived here).
...
.. From the KPIB.com
home page: "Sad Day in the CyberSty... KPIG's owners
have decided that they have no choice but to suspend KPIG's
live webcast in the face of the fees that would be due under
the most recent Copyright Office ruling. We're definitely hoping
that this is just temporary, and that a reasonable solution
can be found soon..."
This is a tragedy. As has been noted many times in the past
couple of years by many major
national publications, KPIG was one of the true treasures of
Internet radio, with music and personality and characterthat is impossible to find on the AM and FM bands in most
markets.
As I write this, local listeners to 107-oink-5 FM have just
heard "In My Life" by the Beatles, "Little Martha"
by Jerry Douglas, "It All Went Down The Drain" by
Boz Scaggs, and "Piece Of Crap" by Neil Young. (Their
playlist for the last six hours is here.)
An excellent Associated Press story on KPIG (from March,
2000) ishere.
It's mind-boggling to think that record labels and recording
artists believe that they benefit from the demise of KPIG's
webcast (and others; see list below).
You know, if the RIAA is genuine in its stated intentions
to offer a compromise royalty rate for smaller webcasters, as
its executives have been telling journalists for months,
now would be an excellent time for them to do
so!
And if the RIAA's lawyers are going to continue dragging
their heels, top record label executives (who presumably actually
care about marketing and
promotion and sales) should get on the horn to the RIAA and
ask them to move in a timely manner!
-- KH ...
From Mark Lane's "Footnote" columnin the Daytona
Beach News-Journal: "It's been ages since I listened to
commercial radio.
"Surprises have been banned from radio.
Most radio stations repeat the same songs from a playlist you could
write on the back of your hand. Some have self-consciously outrageous
announcers with a speaking style stolen from guys
in fairground dunk-the-clown booths. I was chased away
years ago.
"But just lately, I have started listening again. Not
to real radio -- now called "terrestrial radio" -- but
to Web-based radio....These range from stations that are not unlike
an old-fashioned '70s-style progressive radio station -- Jimmy
Buffett's Radio
Margaritaville and the alt-rock Radio
Paradise -- to stations too obscure to even make it on campus.
"I've found all-lute, all-the-time
stations. All Baroque. All techno/industrial hard-trance rock.
All bluegrass. All pre-60s Broadway. All streaming as
you read this.
"Sadly, this renaissance of listening is just too
good to last. I expect most of them will shut down by
next year. Then, Web radio, like FM radio, will be the dominion
of Big Music.
"It doesn't have to be like that, but the usual forces
of short-sighted greed, musical monoculture
and power lobbying in Washington are combining to shut
down Web radio...
"Since it created the problem, Congress should step
in. But making sure Boccherini, Beiderbecke and bluegrass stay on
the air is not a big political priority.
So, I'm listening very appreciatively now. It may be a long time
before I hear Dave Brubeck coming through a speaker unexpectedly..."
Read the full column here.
(Archived here.)
"Internet
radio has completely changed my life..."
My thoughts on internet radio:
As a music junkie, internet radio has completely
changed my life in terms of the amount of new music I
listen to and buy. My world
would be a much quieter one without it.
In any given week I find myself listening to: Spinner's
BritPop station, Radioio (what great radio!), Radio Paradise (what
great radio!), Hard
Radio (we cranked it up in the office yesterday during Alice Cooper's
"Poison"...a good time was had by all), Live 365's Power
Pop station, Beethoven.com, JazzFM, Virgin UK, Radio Free Virgin's
Soundtrack station, Listen's picks, and many more. I obviously spend
a good deal of time monitoring MUSICMATCH radio as well:)
I encourage others to play around.
All these great station offerings make my life easy. All
I have to do is
click play!
Steve Clark
Program Director
MUSICMATCH
Freedom for Music Lovers(tm)
... Here is a growing list of webcasters
who, because they don't feel they can manage webcasting royalties
in a viable business, have decided that it's in their best interests
to silence their streams. (We thank them for their hard work
and dedication to their audiences and the industry, and wish
them luck in their future endeavors...)
Have
we missed others? Use the feedback form above or e-mail
us here.
Public stations
now off line
This is from the SOS:
Save Our Streams website, which focuses the struggle
against thewebcasting royalty rates as they pertain to independent
educational and noncommercial stations.
Zydeco to the Bone; Nuevo Wave-O; Jazzeteria; Altrok.com;
Celtic to the Bone; Extra Smooth Symphonie; Melancholia; Qawwali-On-Demand;
60s RnB to the Bone; Just Classic Rock; All Top40 Hits; Piecemeal;
Swing Central; Cafe Twilight; Jazz to the Bone; Drone Sickness;
Gospel to the Bone; Truly Cool, Cool Jazz; 400 Years of Hits
Jazz to the Bone; Hot Bubblegum 100; Dream Chamber; Modern A
Cappella; African to the Bone; Hillbilly Radio; Cajun N Country
to the Bone; X-tra Energy Dance; World Intensity; New Orleans
to the Bone; Modern Rock Hits; Rastaman's Reggae
MainLine Rock; Latin to the Bone; House Party; Love Field; Planet
Musiquarium; The Breakbeat Jungle; Succubus; Bollywood; Club
Reggae; Hyperspace; Murder, Betrayal and Redemption; Top RnB
Hits; ChitrapatSangeet; Resonant Radio; Sweet Revenge
Female Voices; Old Dawg Country; EnginesOfReagan; Lovecats;
Muddy Channel; Movie Music; Adventures In Radio; Truly Alternative;
Alt Songsters to the Bone; Spacerant; Trance-ilvania; Vox Radium;
50s RnB to the Bone; Box O Bone's; Digitalis; darcade; Not AA
Radio; Busted Heart Radio; Shuaku No Bi; Hillbilly Radio; Kickin'
Kountry; Cyberspace Sonata; Solvent Loud Radio