BY PAUL MALONEY The pile in the "IN Box" at the U.S. Court of Appeals
in DC grew as parties from both sides of the webcasting royalty
issue
submitted their "intents to appeal" the Librarian of Congress's
decision on webcasting music royalties by yesterday's deadline.
While most petitioners planning to appeal the Librarian's
ruling would argue the royalty rates as set are so high as to make
webcasting financially unfeasible, according to a statement on their
website, the Recording Industry
Association of America (RIAA) announced an intent to file
a petition as well -- arguing that webcast royalty rates were set
improperly low.
The RIAA claims the Librarian was "duped" by Yahoo!'s
"self-serving" testimony which mischaracterized their
business model, and that the CARP improperly dismissed 140 licensing
agreements which the recording industry group insists represented
fair market deals.
While the CARP characterized Yahoo! as largely an aggregator
of other broadcast and webcast streams, the RIAA argues that since
the company's acquisition of Launch
and subsequent intent to drop broadcasters' streams, it's now committing
"significant resources to Internet radio." The RIAA accuses
Yahoo! of downplaying its plans for Internet-only radio to drive
down the rate -- the rate upon which the statutory was later based.
Moreover, the recording industry also claims the royalty
rate would have been set much higher had arbitrators
considered the 25 agreements the RIAA had made with webcasters,
and the 115 deals made between webcasters and individual labels.
"The end result significantly undervalued the music
used by Internet radio companies,” said RIAA Chairman Hilary
Rosen in the statement.
A joint petitionof intent to appeal was filed by
broadcasters Salem Communications
and the National Religious Broadcasters Music License Committee,
through the law firm of Wiley Rein & Fielding LLP. This was apparently
the extent of the action taken by commercial broadcasters, however,
as
the National Association of Broadcasters (NAB), as reported yesterday,
refrained from filing an intent. Major broadcasters like Clear Channel
also did not file.
As reported in the late edition of RAIN (here),
a group of 19 independent commercial webcasters, led by RadioIO.com,
Live365.com, and Radio
Free Virgin, submitted a joint appeal intent with the Court
yesterday. The Intercollegiate
Broadcasting Association (IBS), on behalf of its 700+ noncommercial
education member stations, had filed its appeal notice July 8, the
very day the Librarian's ruling was published in the Federal Register.
Yesterday was the deadline for interested parties to notify
the Court of their intent to appeal the royalty. Briefs are to be
filed later this year.
From the press release: "Yesterday, the Recording Industry
Association of America (RIAA) and webcasters appealed the
Librarian of Congress' May 2nd 2002 decision on webcasting rates.
The RIAA argues that the CARP's originally proposed rates should
stand, while webcasters argue that both decisions are unfair.
"In response to this move,US
Rep. Jay Inslee said the following: 'The fact that all
parties have appealed this decision demonstrates clearly that the
standard used to determine royalty rates is not working, and Congress
must act expeditiously to correct it.
"'If the RIAA's preference for the original Carp's decision
prevails, it could severely dampen the growth of the Internet
as a medium for music broadcasting. Internet radio is the only broadcast
medium that
artists have to receive compensation for their work. Undermining
Internet radio, which is what prohibitively high royalty rates would
do, is shortsighted and bad
for the artists, bad for consumers, bad for webcasters, and even
bad for the labels.
"'Congress erred when it created the "willing
buyer-willing seller" standard for determining rates, and we
will continue our work to change the standard and ensure that we
have a "fair but not free" Internet royalty rate.'"
Radio & Records is reporting that a political consulting
group has made a deal with the producers and voice talent union
for a special rate for streaming "candidate and issue-advocacy
political ads" originally made for broadcast radio.
The special rate negotiated by The American Association of
Political Consultants and the American Federation of Television
and Radio Artists (AFTRA), 33% above regular
fees, is markedly lower than the regular AFTRA rate of
300% of normal fees for other broadcast spots that end up in an
Internet stream.
In April of 2001, hundreds of broadcasters shut down their
Internet streams when they learned AFTRA talent was due three times
their normal rates if broadcast commercials in which they appeared
wound up in Internet streams. Only after the incorporation of various
ad "blocking" or "replacement" technologies
did the broadcasters slowly return to streaming.
Thanks
to all the fine companies
who agreed to be part of our recent "RAINVendor Guide (Ver. 2.0)" issue. You
can see the entire Guide here.
To be part of RAIN's Vendor Guide, please call
312-527-3879. (The "E-mail marketing" category
will be featured next time).
Domain
name registrars
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Web Address @ www.dot.fm
E-commerce
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and advertisers. Our e-commerce product offerings include
our loyal listener RadioPoints program, nTunes Music &
Video Stores, Event and Charity Auction programs and online
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Garageband.com, the web-based resource for unsigned artists
which was shuttered earlier this year, has returned -- along
with its online streaming service Garageband
Radio.
In April, a group led by dedicated employees, musicians,
and site enthusiasts purchased the Garageband
assets to relaunch the site after its founders (which included Talking
Head Jerry Harrison) were unable to find capital and a distribution
deal for some of the collective's more successful artists.
Unsigned artists upload their recorded material to the site,
where it becomes available for listening by registered users. These
users can then rate and review the music. The most popular artists
"are invited to become a Garageband Records Artist and
work with Garageband to forward their careers."
One way for site users to discover this new music is by using
the Garageband Radio service. It consists of 16-format focused streaming
radio channels, plus the Featured Artist Radio channel which spotlights
particular bands. Garageband Radio is streamed in Real format.
From CNet News.com: "AdCritic.com,
an advertising-focused Web site bulldozed in the dot-com bust, has
reemerged under
new ownership and with a new formula for success:
subscriptions only.
"The Web site, an industry news publisher and hub for
TV and radio commercials, closed late last year. As the audience
for its free, streamed media grew, the costs to support the necessary
bandwidth caused the project to fold, said its founder, Peter Beckman...
"The introductory annual rate for AdCritic.com is $69.95...The
site features a new commercial daily, breaking industry news, and
a searchable archive of TV and radio spots.
"The former site hosted a vast library of advertising
video clips, including about 2,500 commercials. Before its demise,
it drew a diverse crowd of ad junkies to its video library, delivering
any where from 10 million to 30 million commercial video streams
per month. It also pulled in regular visits from advertising executives,
although they made up only a fraction of the site's audience."
... Here is a growing list of webcasters
who, because they don't feel they can manage webcasting royalties
in a viable business, have decided that it's in their best interests
to silence their streams. (We thank them for their hard work
and dedication to their audiences and the industry, and wish
them luck in their future endeavors...)
Have
we missed others? Use the feedback form above or e-mail
us here.
Public stations
now off line
This is from the SOS:
Save Our Streams website, which focuses the struggle
against thewebcasting royalty rates as they pertain to independent
educational and noncommercial stations.