RAIN 5/9: Radio's performance royalty exemption "seems bizarre," says Copyright Office General Counsel at RAIN Summit

Michael Schmitt
May 9, 2012 - 12:10pm

David Carson at RAIN Summit West 2012"We're nothing to be afraid of," chuckled David Carson, General Counsel of the U.S. Copyright Office, during RAIN Summit West 2012. Carson was interviewed on-stage by industry attorney and Davis Wright Tremaine partner David Oxenford. "Are you to be feared?" Oxenford had asked, on behalf of the webcasters and broadcasters in the audience.

Carson insisted the answer is "no." In fact, he said the Copyright Office has "hardly anything to do with" what is perhaps the biggest copyright-related sore spot among webcasters: setting royalty rates. That job is mainly handled by the Copyright Royalty Board.

However, Carson (pictured) did explain that the Copyright Office can review the CRB's decisions for "legal error," and any corrections can become legal precedents in the future. The CRB can also consult the Copyright Office about legal questions, and the Copyright Office makes recommendations about who should serve as a judge on the CRB.

In fact, Carson was part of a panel that just recently recommended the new CRB judge, Suzanne Barnett (RAIN coverage here).

The Copyright Office does take stances on copyright issues, though, and makes recommendations to Congress. One such issue -- "the most glaring," in Caron's opinion -- is the broadcast radio performance royalty. Carson said that since before 1978, the Copyright Office has "taken the position that sound recordings should be entitled to a performance royalty just like musical compositions are... We are one of the few countries on earth that doesn't actually provide a performance royalty for sound recordings [played on AM/FM broadcast radio]." (Internet and satellite radio in the U.S. do pay performance royalties.)

To the Copyright Office, explained Carson, broadcast radio's performance royalty exemption "seems sort of bizarre" and "strange."

Oxenford questioned Carson about whether the Copyright Office has, or should, consult broadcasters about that stance. "That's what Congress does," answered Carson. "We advise Congress." And while sometimes Congress requests the Copyright Office to conduct studies and discuss the matter with stakeholders, more commonly "we're actually directed not to talk to stakeholders. 'We want your expert advice,' [instructs Congress]... and as often as not they thank us for our recommendations and then go off and do something else."

All that said, "we can expect no copyright legislation this year," predicted Carson, thanks in part to the election.

Carson also discussed the situation on pre-1972 sound recordings, and offered his thoughts on the recent SOPA debacle (when "suddenly politics wasn't played by the usual rules").

You can watch the entire interview with David Carson thanks to RTTNews here.

Michael Schmitt
May 9, 2012 - 12:10pm

Stitcher's political infographicPersonalizable talk radio service Stitcher has assembled a fascinating infographic about smartphones and politics. Here are some of the highlights:

  • 70% of Stitcher users listen to news and politics.
  • 46% of voters own a smartphone.
  • Alaska has the highest iOS listenership per capita.
  • South Dakota has the highest Android listenership per capita ("who would have guessed?" asks The Next Web).
  • 57% of iPhone users are liberal listeners.
  • 56% of Android users are liberal listeners.
  • Interestingly, Stitcher says listeners of conservative programs also listen to liberal shows, but liberal listeners only listen to liberal shows.

Stitcher also maps out the country by liberal/conservative radio show preferences and lists the top shows for liberals and conservatives.

You can find it and more from The Next Web here. Stitcher also recently launched an Election Center (RAIN coverage here).

Paul Maloney
May 9, 2012 - 12:10pm

Mark Edwards is an award-winning radio programmer with experience at WLIT/Chicago, KOSI/Denver, KYKY, KEZK, and WVRV in St. Louis, and more. He's currently managing general partner of Mark Edwards Worldwide, his multi-disciplinary consulting practice.

There’s very little doubt that mobile and personalized content are the future of what is now radio, and in some cases that big tower in the corn field won’t even be part of a “radio station” in the not too distant future.

Multimedia content creator John Tesh may be among the first to see and act upon that future. He's put a radio station online that, in fact, isn’t a radio station or a streaming service; it’s both and neither at the same time. Last week, the entertainer launched K-TeshLA (see RAIN coverage here) a site that looks like a "best in class" local radio station site complete with a 24-hour streaming audio service as part of the package. The only difference between this site and most other Contemporary Christian radio stations is that there’s no traditional radio station connected to the site, just the stream.

(The site was launched the site after Tesh's syndicated radio show was dropped by Salem’s KFSH in Los Angeles. Heard daily on over 300 stations in the U.S. and Canada, Tesh wanted to make sure he was still reaching the important Los Angeles market, and so built what's ostensibly a complete online radio station.) 

The K-TeshLA site is completely localized for the Los Angeles market, right down to showing the local time and weather, working with local charities and churches, and doing actual contests, giving away $100 a day and a grand prize of an iPad. The station is building its own database of listeners, and has wasted no expense in designing an engaging website and high quality streaming player. Both the site and player have deep integration with Facebook, something not found at many FM or AM radio stations.

While the station doesn’t have a mobile site or streaming app yet, K-TeshLA is available on the TuneIn Radio application, and it looks and feels just like any broadcast property on the roster of TuneIn’s stations. Having that parity with traditional broadcast outlets is certainly one of the first steps to leveling out the playing field between stations that have a transmitter and those who are going directly for online and mobile listeners.

Listening to K-TeshLA, one wouldn’t know that it wasn’t a regular FM station. The stream features lots of music, IDs, and Tesh’s “Intelligence For Your Life” content repurposed from his terrestrial radio show, not to mention both national and local advertising.

The big question is, will a localized Internet-only radio station succeed in the world of AM and FM broadcasters and their continuing consolidation into apps like iHeartRadio? We’ll look at that in the next part of this essay.

Paul Maloney
May 9, 2012 - 12:10pm

Digitally Imported, Inc., the company whose namesake service of electronic music streams is one of the most-listened to on the Internet (see RAIN ratings coverage here), has beta-launched a multi-channel rock music service at the (rather impressive, we think) URL ROCKRADIO.com.

ROCKRADIO.com's "24 awesomely curated" streams, covers both well-trodden rock subgenres like Classic Rock, Modern Rock, and Soft Rock -- and also Hard Rock, Harder Rock, Metal, Heavy Metal, Symphonic Metal, Screamo-Emo, Hardcore, Metalcore, and Deathcore.

To this point better-known for DJ sets and dancefloor sounds, Digitally Imported says the new service "represents our continued efforts into all verticals over time." Digitally Imported sister network Sky.fm offers streams across a wide range of musical formats.  

The ROCKRADIO channels don't launch a dedicated player. Rather, each channel grahic is a link to a ".pls" file (that our computer offered to save). (Visitors with iTunes installed will likely be given a more obvious option to listen using that software. Windows Media couldn't open the file, so we listened with MediaMonkey.) The streams are "live" -- there's no skipping or pausing, and (presumably) everyone tuning in is hearing the same thing at the same time. And, at least for this beta, they seem to be keeping the streams at a minimum bitrate (read: the site demonstrates how they envision it will work when officially launched, but doesn't yet make for pleasurable long-term listening). And no mobile apps yet, but those appear to be in the works.

Michael Schmitt
May 9, 2012 - 12:10pm

Livio Connect APILivio Radio has received the Frost & Sullivan 2012 New Product Innovation Award for the Livio Connect API. The API "is commonsense technology that connects apps to cars, eliminating the nee for constant support and one-on-one integration between consumers' smartphone apps and hardware devices," Livio explains.

The company also said their Connect system will be available at the International CTIA Wireless 2012 in the Automotive Solutions Showcase, which runs May 8-10, in New Orleans.

You can find Livio Radio's press release here.